Above The Clouds/Bing Satellites
Memory Of Self/Dolphins Into The Future
World Of Sleepers/Carbon Based Lifeforms
Bigger Stream/Solar Fields
Now I Understand/The Flaming Lips Feat,Erykah Badu,Biz Markie
1 Letna White City
2 Snufmumriko Shanti
3 Arc Of Doves Word Of Mouth
4 Ocoeur First Highway
5 Advanced Dreams Sakura
6 Brando Lupi Between Here And Nowhere
7 Ycr0 Micro Prospettive (Original Mix)
8 Echo Grid Insomnia
9 Nikosf. Interpersonal Communication
10 Soular Order You Are
11 Arbitrarium Cancelled
12 Seazo The Last Spark
and download soon
Have a nice journey…
spiel:feld presents podcast no.51 - sub.made´s night drive into deep dub soundscapes!
enjoy this trip!
01. Martin Schulte - Pillow (Marko Fürstenberg Remix)
02. Remote - Politely Declined
03. Gabriel Le Mar - Time For Everything (Marko Fürstenberg Mix)
04. NOP, Pablo Bolivar, Hirotaka Miyamoto - Whispered River (Pablo Bolivar Magic Mountain Mix)
05. Clickman - Optim (Pablo Bolivar Mix)
06. Pelacha - Funny Friends (Pablo Bolivar Remake]
07. D.Diggler - Nitronome (Marko Fürstenberg Remix)
08. Siasia - Asirium (Kuba Sojka Minimal Dub Remix)
09. Fluxion - Perfuse
10. Sistema - John Clanders (Marko Fürstenberg Remix)
Der trübe Wald, der graue Nebel über dem Tagebaurestloch, Menschen im Alltag,
schwebende Echos und eine tief liegend schwarze Wolke mit seicht- herablassenden Tröpfchen.
Diese optisch und akustische Symbiose inspiriert “Sub.Made” zum Kreieren, Experimentieren und Musizieren.
Fernab des gegenwärtigen elektronischen Konsums in seiner Umgebung, produziert er seit Anfang 2009 sphärisch klingenden Ambient, gespickt mit Field Recording, bis hin zu deepem Dub Techno.
The gloomy forest, the gray fog over the open mine, people in everyday life,
levitating echoes and a deep underlying black cloud with shallow-patronized droplets.
This optical and audible symbiosis inspires “sub.made” to create, to experiment and
to make music. Far away from the current electronic consumption in his area, he produces spherical ambient combined with field recordings up to deep dub techno.
★ used equipment:
Access virus ti 2
Novation zero sl
Motu Ultralite mk2
tc electronic m3000
tc electronic 96k
DOYEQ is an unique two-man live-project of Sergey Kulikov and Vitaliy Bragin.
Due to their extensive knowledge and practical experience in electronic music from 1997, in 2009 musicians started the project with minimal and deep techno sound. Much of knowing came through continual sound experiments and researches. All that made DOYEQ inimitable sound, built on deep and powerful groove with dub-atmosphere, that completely fill the listeners space.
DOYEQ - Condition Delay (Macro EP 2009 Electonica netlabel digital)
DOYEQ - Eyelashes Of Lanterns (EP 2010 Fuselab digital)
DOYEQ - Four (EP 2011 Deeplimit digital)
DOYEQ - Untitled (EP 2011 Temiong rec. digital)
DOYEQ - Almost Green (track 2011 PRO-TEZ 2X12” vinyl compilation)
DOYEQ - Escape (EP 2012 SLOWDANCE digital and cd)
DOYEQ - Without Music (single 2013 PRO-TEZ 12” vinyl)
DOYEQ - On My Way (track 2013 PRO-TEZ 2X12” vinyl compilation)
DOYEQ - Dimmed (track 2013 SLOWDANCE digital compilation)
DOYEQ - Never Back (LP 2013 Fuselab digital)
DOYEQ - 108 (track 2013 Musickollektiv digital compilation)
DOYEQ - Road to River (EP 2013 MOSHItaka 12” vinyl)
DOYEQ - Morning Snow (EP 2013 Deeplimit digital)
DOYEQ - Night Park (Track 2013 VA StudioR 002 12” vinyl)
DOYEQ - Soundsphere (EP 2013 Subspiele Records Digital)
Here comes the 12th episode of spiel:feld´s live-set series with focus on live-playing producers.
[SPF_live012] spiel:feld´s live operation with … Trinity !!!
exactly 1 hour of finest deep dub ambient techno electronica - all played LIVE by Trinity with several equipment.
★ used equipment:
virtual synths including Operator, Albino 3 & Vanguard.
Battery and Gold Baby samples for the Drums.
Trinity has established herself as one of the Australia’s pre-eminent proponents of house and techno since entering the club fray over a decade ago. As a DJ and Live act, Trinity has forged a reputation as a perfectionist, playing all across Australia, in addition to sets in Europe at Harry Klein in Munich, and Tresor and Studio R in Berlin, where she currently resides. Trinity’s versatility is one of her biggest strengths as an artist, with styles ranges from Chicago house and Detroit through to ambient and dub techno.
Renowned for her Sydney-based Loosekaboose event for over 8 years supporting local artists, Trinity is now instrumental in bringing many of the foremost figures in the international techno milieu to Australia through the 4our events, which have carved a niche in Sydney’s underground scene by showcasing the likes of Steffi, Luke Hess, Eli Verviene and Eric Cloutier.
Being part of production duo Trinity & Beyond alongside John Tzineris for the past 5 years, Trinity will finally be releasing her first solo productions in 2014 with OOC Records and Nightime Drama. As Trinity & Beyond, the 2 artists released 7 EPs on various different labels including Manual Music and BEEF records. The duos productions attracted the attention of some international heavyweights, including dub techno producer XDB, who reworked the track ‘Reign’. This followed the release of the remix of German duo Klartraum alongside reworks from the likes of Vince Watson and Ian Pooley on Klartraum’s Secret Moon Remixed album and Alexkid’s remix of ‘This Dream’ on Sasse’s Moodmusic label in 2012.
These releases form the backstory to Blinded by 1000 Points of Light, Trinity and Beyond’s debut album released in March 2014. Recorded live, Blinded by 1000 Points of Light comprises nine tracks of atmospheric melodies and deep chords that traverse techno, progressive and minimal influences which was endorsed by Sasha, rounding off a busy year for one of the hardest working producers in the Australian club realm.
ColtEP: Where are you now and where you wish to be?
Trinity: I’m exactly where I want to be at the moment, in Berlin writing music.
ColtEP: What is your inspiration for creating your tracks?
Trinity: It comes from so many places, but a lot of the time I get inspired when I’m out at a club listening to great music, or listening to a good dj mix, or hearing tracks from some of my favourite artists.
ColtEP: Do you have a special approach/strategy for producing your music?
Trinity: No, its always different. Sometimes I’ll just jam with my hardware and hear some great sounds and press record. Other times I’ll play around with my vst ‘s in Ableton and my controller. Other times I collaborate with another producer in their studio with their DAW.
ColtEP: Where and how do you produce your music?
Trinity: I have a studio set up at home, which is in between Sydney and Berlin. I play quite a few live gigs these days which are usually made with brand new material for each set, so it always gives me a great foundation for new tracks. A lot of the time I will record the live jam and then edit into tracks.
ColtEP: What was your musical progress?
Trinity: My DJ career began about 12 years ago in Sydney, Australia. Pretty soon after I started promoting a party called Loosekaboose which ran for 8 years and focused on local artists in the scene. I then got together with a bass guitarist and started collaborating as production duo Trinity & Beyond. I started using our music in live sets and remixed them on the fly. It was a natural progression to start writing my own material for my live sets which led to me producing my own music.
ColtEP: Which LP´s you would recommend to everybody (maybe 3 or 5)?
Voices from the lake – Dozzy and Neel
Prologue Portefuille 3 - Etapp Kyle, Artefakt, Mod21
Adam Michalak - Returning to Essence EP
ColtEP: What do you wish for your future?
Trinity: I really just want to be happy in whatever I do and don’t have any big expectations with where I want to be. Music has been my passion for 12 years now and its brought me so many beautiful things in my life, including friends and wonderful life experiences. I just want to continue on that same path.